Wednesday, September 30, 2020

ನೆನೆದು ತನ್ನ ಬಳಗವ ಕರೆದ ಬಿಳಿಮಲೆಯವರು

ಕಾಗೆ ಮುಟ್ಟಿದ ನೀರು ಮಲಿನ ಎಂಬ ಭಾವನೆ ಕೆಲವೆಡೆ ಇದೆಯಂತೆ. ಮನುಷ್ಯರ ಇಂತಹ ಮೌಢ್ಯತೆಯನ್ನು ನಿವಾರಿಸಲು ಶ್ರಮಿಸುವುದು ಕರ್ತವ್ಯವೆಂದು ಬಗೆಯುವ ಶಿಕ್ಷಕರಿದ್ದಾರೆ. ಅಂತಹ ಶಿಕ್ಷಕರಲ್ಲೊಬ್ಬರು ಪುರುಷೋತ್ತಮ ಬಿಳಿಮಲೆ ಎಂದು ಅವರನ್ನು ಬಲ್ಲವರು ಹೇಳುತ್ತಾರೆ. ಈ ಮಲಿನತೆಯನ್ನೇ ಸಂಕೇತವಾಗಿ ಬಳಸಿ ತಮ್ಮ ಬದುಕಿನ ಕುರಿತು ಬರೆದ ಪುಸ್ತಕಕ್ಕೆ ಬಿಳಿಮಲೆಯವರು "ಕಾಗೆ ಮುಟ್ಟಿದ ನೀರು" ಎಂಬ ಶೀರ್ಷಿಕೆ ಕೊಟ್ಟಿದ್ದಾರೆ. ಅದನ್ನು  ಓದುತ್ತ ಹೋದಂತೆ ಈ ಮೌಢ್ಯತೆ ಅವರ ಬದುಕಿನಲ್ಲಿ ಎಷ್ಟೊಂದು ಆಘಾತಕಾರಿ ಪರಿಣಾಮ ಉಂಟು ಮಾಡ ಹೊರಟಿತ್ತೆಂದರೆ ಓದುಗರನ್ನು ಕೂಡಾ ಬೆಚ್ಚಿ ಬೀಳಿಸುವಷ್ಟು ಎಂದು ಅರಿವಾಗುತ್ತದೆ!

ದಟ್ಟಕಾಡಿನ  ಮೂಲೆಯಲ್ಲೆಲ್ಲೋ ಹುಟ್ಟಿ, ಸುತ್ತಮುತ್ತಲಿನ ಜನರಿಗೆ ಅಪಶಕುನದ ಸಂಕೇತವಾಗಿ ಕಂಡ 'ಅದಮ್ಯ ಚೇತನ' ವೊಂದು ತನ್ನ ಸುತ್ತಲಿನ ಕಠೋರ ವಾತಾವರಣದ ಅಡತಡೆಗಳನ್ನು ನಿವಾರಿಸಿಕೊಂಡು  ನೀರಬುಗ್ಗೆಯ ಗುಣದಂತೆ  - ಕತ್ತು  ಹಿಚುಕುವಷ್ಟು ಒತ್ತಡ ಹಾಕಿದಾಗಲೆಲ್ಲ ಇನ್ನಷ್ಟು ಎತ್ತರಕ್ಕೆ ಚಿಮ್ಮುವಂತೆ,  ಎತ್ತರಕ್ಕೆ ಏರುತ್ತ ಹೋದ ಕತೆ,  ಯುವ ಪೀಳಿಗೆಗಂತೂ ಸ್ಪೂರ್ತಿದಾಯಕವಾಗಬಲ್ಲುದಾಗಿದೆ.

  ಕಥನದ ಉದ್ದಕ್ಕೂ ನಿರುದ್ವಿಗ್ನವಾಗಿ, ಆಪ್ತವಾಗಿ,  ಕಾಡುವ ನೆನಪುಗಳನ್ನು ಪ್ರಾಮಾಣಿಕವಾಗಿ ನಿಮ್ಮ ಮುಂದಿಡುವ ಭಾವವಿದೆ. ಅದೆಷ್ಟೋ ಜನ ತನಗೆ ನೆರವಾದವರ ನೆನೆದು ಕೃತಜ್ಞತೆ ಸಲ್ಲಿಸುವ ನಮ್ರತಾಭಾವವಿದೆ.  ಮುಂದಿನ ಪೀಳಿಗೆಗೆ ಬದುಕಿನ ಹೋರಾಟದ ಬಗೆಗೆ ತಿಳಿಯಹೇಳುವ ಕಾಳಜಿಯಿದೆ.  ಬದುಕನ್ನು ಸಂಪನ್ನಗೊಳಿಸಿಕೊಳ್ಳುವ ತೀವ್ರ ಹಂಬಲವಿದೆ.  ಪುಸ್ತಕದ ತುಂಬೆಲ್ಲ ಅದೆಷ್ಟು ಗುಣಾತ್ಮಕ ಮನೋಭಾವ ತುಂಬಿದೆಯಂದರೆ  ನನಗೆ  ಅಬ್ದುಲ್ ಕಲಾಂ   "Wings of Fire" (ಅಗ್ನಿಯ ರೆಕ್ಕೆಗಳು ) ನೆನಪಿಸುವಷ್ಟು!  ಕಲಾಂರವರಷ್ಟು ಏಕಮುಖವಾಗಿ ಗುಣಾತ್ಮಕವಾಗಿ ಯೋಚಿಸಬಲ್ಲವರನ್ನು ನಾನು ಕಂಡಿಲ್ಲ.  ಹಾಳುಹಂಪಿಯಲ್ಲಿನ ಕಹಿನೆನಪುಗಳನ್ನು ತೋಡಿಕೊಂಡಿದ್ದು , ದೆಹಲಿಯ ಕರ್ನಾಟಕ ಸಂಘದ ಕಾರ್ಯಕ್ಕೆ ಸುರಿಸಿದ  ಬೆವರಿಗೆ  ದೊರೆತ    ಕೆಲವರ ಕೊಂಕುಮಾತಿನ ಪ್ರತಿಫಲಕ್ಕೆ  ಬೇಸರತೋಡಿಕೊಂಡಿದ್ದು ಬಿಟ್ಟರೆ, ಪುಸ್ತಕದುದ್ದಕ್ಕೂ ಮನುಷ್ಯರ ಸದ್ಗುಣಗಳನ್ನು ಎತ್ತಿಹಿಡಿಯುವ ಸಮಾಜವನ್ನು ಸುಧಾರಿಸಬಲ್ಲ ಧೋರಣೆಗಳೇ  ಕಾಣಬರುತ್ತವೆ.  

ಬದುಕಿನ ಅನುಭವ ಸಾಗರದಿಂದ ಮುತ್ತುಗಳನ್ನಷ್ಟೇ ಹೆಕ್ಕಿ ಬರೆದಿದ್ದೇನೆ ಎಂದು ಲೇಖಕರು ಮುನ್ನುಡಿಯಲ್ಲಿ ಹೇಳಿದ್ದಾರೆ. ಹಂಪಿಯ ಕಹಿನೆನಪುಗಳನ್ನು ಕುರಿತು   ಯಾಕೆ ಬರೆದರು ಎಂಬ ಪ್ರಶ್ನೆ ಕಾಡುತ್ತದೆ.  ಅಲ್ಲಿನ  ಕಹಿ ಅನುಭವಗಳು ಬರೀ ಸ್ವಂತದ್ದಲ್ಲದೆ ಇನ್ನೂ ಹಲವರದ್ದಾಗಿತ್ತು ಎನ್ನುವುದಕ್ಕಾಗಿ ಅದನ್ನು ದಾಖಲಿಸಲು ಬರೆದಿರಬಹುದು ಅನ್ನಿಸುತ್ತದೆ.  ಅಲ್ಲಿ ವಿನೋದವಾಗಿ ಬಣ್ಣಿಸಲ್ಪಟ್ಟಿರುವ  ಸನ್ನಿವೇಶಗಳು   ನನಗೆ ಬಿ.ಜಿ.ಲ್. ಸ್ವಾಮಿಯವರು  ಮದ್ರಾಸ್ ಕಾಲೇಜಿನಲ್ಲಿನ   ತಮ್ಮ ಅನುಭವಗಳ ಬಗ್ಗೆ   ಹಲವಾರು ಪುಸ್ತಕಗಳಲ್ಲಿ ವಿನೋದವಾಗಿ  ಬಣ್ಣಿಸಿರುವುದನ್ನು  ನೆನಪಿಗೆ  ತರುತ್ತದೆ.  ಸ್ವಾಮಿಯವರ  'ಟೀಕೆ-ಟಿಪ್ಪಣಿ'ಗಳು ಎಷ್ಟಿತ್ತಂದರೆ ಲಂಕೇಶ್ ಗೂ  ಸ್ವಲ್ಪ ಅತೀ ಅನ್ನಿಸುವಷ್ಟು!

ಬಿಳಿಮಲೆಯವರು ಬಣ್ಣಿಸುವ  ಕಾಡುಹುಡುಗನ ಬಾಲ್ಯದ ಆಟೋಟಗಳು, ಸಂಗಾತಿಗಳಾದ ಮೀನು, ಏಡಿ, ಸಿಗಡಿ, ಇಲಿ,ಹಾವು, ಹಕ್ಕಿ, ಹುಳುಗಳು,   ನಮ್ಮ ಕಾರ್ಟೂನ್ ಪ್ರಿಯ ಹುಡುಗ-ಹುಡುಗಿಯರಿಗೆ 'ಮೋಗ್ಲಿ'ಯನ್ನು ನೆನಪಿಗೆ ತರಬಹುದು.  ಅವರು ಬಣ್ಣಿಸಿದ -  ಮಳೆಗಾಲದಲ್ಲೊಂದು ದಿನ  ಗೊರಬೆ ಧರಿಸಿ ಶಾಲೆಯಿಂದ ಹಿಂದಿರುಗಿ ಬರುವಾಗ, ಕರಿಮಲೆಯ ದಂಡಕಾರಣ್ಯದ  ತುಂಬಿ ಹರಿಯುವ ಹಳ್ಳದ ಬಳಿ, ತಟಪಟ ಹನಿಗಳ ನಡುವೆ,   ಹಳ್ಳ ದಾಟಿಸಲು ಬರುವ  ತಾಯಿಗಾಗಿ ಕತ್ತಲಾದರೂ ಕಾದೂ ಕಾದೂ ಕೊರಗಿ ಬಳಲಿ ನಿದ್ದೆ ಹೋದ ಬಾಲಕನ   - ಸನ್ನಿವೇಶ ನೆನೆಸಿಕೊಂಡಾಗಲೆಲ್ಲ ಬೆನ್ನುಹುರಿಯೊಳಗೆ ಮಿಂಚುಹರಿಯುತ್ತದೆ! ಘೋರಾರಣ್ಯದಲ್ಲಿ ಒಂಟಿಯಾದ ಪುಟ್ಟ ಬಾಲಕನನ್ನು  ಮುತ್ತಬಹುದಾದ   ಘೂಕ, ವೃಕ, ಭಲ್ಲುಕ, ಜಂಬುಕ, ಪುಲಿ, ಫಣಿ ,ಭೂತಸಂಕುಲ ಗಳೆಲ್ಲವನ್ನು  ಕಲ್ಪಿಸಿಕೊಂಡು  ಎದೆ ಢವಗುಟ್ಟುತ್ತದೆ! 'ಚಂದ್ರಮತಿಯ ಪ್ರಲಾಪ'ವನ್ನು ಹರಿಶ್ಚಂದ್ರ ಕಾವ್ಯದಲ್ಲಿ  ಹೃದಯಂಗಮವಾಗಿ ಬಣ್ಣಿಸುವ ರಾಘವಾಂಕ ಇದರ ಬಗ್ಗೆ  ಕೇಳಿದ್ದರೆ  ಮತ್ತೆ ಸ್ಪೂರ್ತಿಗೊಂಡು  'ತಾಯಿಯೆಂದುಂ  ಬಪ್ಪ ಹೊತ್ತಿಂಗೆ ಬಾರದಿರೆ ಮನನೊಂದಿದೇಕೆ ... ' ಎಂದು ಇನ್ನೊಂದು ಮನಮುಟ್ಟುವ ಕಾವ್ಯ ಹೊಸೆಯುತ್ತಿದ್ದ ಅನ್ನಿಸುತ್ತದೆ.

ಕಾಡಿನ ಕಠೋರ ಪರಿಸರ ಮಾತ್ರವಲ್ಲದೆ ಅದರಲ್ಲಿ ಬದುಕುವ ಜನರ ಜಂಜಾಟಗಳ ಬಣ್ಣನೆ  ಓದುಗರನ್ನು ತಟ್ಟುತ್ತದೆ. ಇಲ್ಲಿ ಬಣ್ಣಿಸಲ್ಪಟ್ಟ - ಅಪ್ಪನ ಜಾತಕ ಮತ್ತು ಪಂಚಾಂಗಗಳ ನಂಬಿಕೆ, ಅಮ್ಮನ ಕಾಗೆ ಮುಟ್ಟಿದರೆ ಮೈಲಿಗೆಯಾಗುವ ನಂಬಿಕೆ, ' ಜಾತಕನಿಗೆ ವಿದ್ಯಾಯೋಗವಿಲ್ಲವು' ಎಂದು ಕಾಡುಜನರ ತಲೆಯ ಮೇಲೆ ಚಪ್ಪಡಿ ಎಳೆಯ ಹೊರಡುವ ಜ್ಯೋತಿಷಿ, ಹಲವು ವರ್ಷಗಳ ಬಳಿಕ ಅಪ್ಪ  ಒತ್ತಾಯದಿಂದ  - ಶಾಲೆ ಸೇರಿಸಲು ಒಳ್ಳೆಯ ದಿನ ಗೊತ್ತು ಮಾಡಿಕೊಡಿ ಎಂದಾಗ ಶಾಲೆಯ ರಜಾದಿನವನ್ನು ಗೊತ್ತು ಮಾಡಿಕೊಟ್ಟ ಜ್ಯೋತಿಷಿದೋಷ ನಿವಾರಣೆಗೆ ಒಬ್ಬ ಅಜ್ಜನ ಬಾಳೆಯೊಂದಿಗಿನ ಮೂರನೇ ಮದುವೆ, ಹಠವಾದಿಯಾದ  ಇನ್ನೊಂದು ಅಜ್ಜ (ತಂದೆಯ ತಂದೆ ) ಹೆರಲು ಹೋದ ಹೆಂಡತಿ ಭಾರೀ  ಮಳೆಯಿಂದಾಗಿ ತುಂಬಿದ ಹೊಳೆ ದಾಟಲಾಗದೆ ನಿಗದಿಪಡಿಸಿದ ದಿನ ಕಳೆದ ನಂತರ ಹಸುಗೂಸಿನೊಂದಿಗೆ ಗಂಡನ ಮನೆ ತಲುಪಿದ್ದಕ್ಕೆ ಆಕೆಯನ್ನು ಮನೆಗೆ ಸೇರಿಸಿಕೊಳ್ಳದೆ ಮಗುವನ್ನು ಮಾತ್ರ ಉಳಿಸಿಕೊಂಡದ್ದು - ಇವು ನಮ್ಮ ಗ್ರಾಮೀಣ ಪರಿಸರಗಳಲ್ಲಿ ಇಂದೂ ಕಾಣಬಹುದಾದ ಜನರ ಬದುಕನ್ನು ಕಲಕುವ 'ನಂಬಿದವರ ನರಕ'  ಕರುಳು  ಚುರಿಲ್ಲೆನ್ನಿಸುವ ಕಿರುಚಿತ್ರಗಳು.  

ಬಾಲ್ಯದಲ್ಲಿ ಅಮ್ಮನೊಡನೆ ಯಕ್ಷಗಾನ ನೋಡುವಾಗ ಪೂತನಿ 'ಇಲ್ಲಿರುವ ಮಕ್ಕಳನ್ನೆಲ್ಲ ವಿಷದ ಮೊಲೆ ಕೊಟ್ಟು ಕೊಲ್ಲುತ್ತೇನೆ ' ಎಂದು ಅಬ್ಬರಿಸಿದಾಗ ಹೆದರಿ ಆಟದ ಅಂಗಳದಿಂದಾಚೆ ಓಡಿಹೋದ ಸನ್ನಿವೇಶ  ಕರಾವಳಿ-ಮಲೆನಾಡಿನ ಬಹುತೇಕ ಮಂದಿಗೆ ತಮ್ಮ  ಬಾಲ್ಯ ನೆನಪಿಸಿ  ಮುಗುಳ್ನಗೆ ಮೂಡಿಸಬಲ್ಲುದು. 

ಚೋಟುದ್ದದ ಹುಡುಗನಾಗಿದ್ದಾಗ ಮಳೆಗಾಲದಲ್ಲಿ  ಹೊಳೆ ದಾಟುವಾಗ  ಅರ್ಧ ನೀರಿನಲ್ಲಿ ಮುಳುಗಿ, ಇನ್ನರ್ಧ ಅಮ್ಮನ ತೋಳಿನಲ್ಲಿ  ತೂಗುಯ್ಯಾಲೆಯಾಡುತ್ತ, ಚಡ್ಡಿ ಚಂಡಿಯಾದರೂ - ತೇಲುತ್ತ ಹೋಗುವ  ಸುಖಕ್ಕೆ ಹಾತೊರೆಯುವ ಸಂದರ್ಭದ ಬಣ್ಣನೆ ನಮ್ಮ ಜೀವಕ್ಕೂ    ರೆಕ್ಕೆಗಳನ್ನೊದಗಿಸುವಂತಿದೆ.  

ಜಾತ್ರೆಯ ಯಕ್ಷಗಾನ  ನೋಡಲು ಹೋದಾಗ ನಿದ್ದೆಗಣ್ಣಿನಲ್ಲಿ ನಡುರಾತ್ರಿಯಲ್ಲಿ ನಾಲ್ಕಾಣೆ ಕಳೆದು ಕೊಂಡು ನೋವು ಅನುಭವಿಸಿದ್ದನ್ನು ಬಣ್ಣಿಸುವಾಗ ಬಳಸುವ ಸಂಕೇತ ಅತೀ ಯೋಗ್ಯವಾದದ್ದಾಗಿದೆ . ಆಘಾತದಿಂದ  ಎದ್ದು ಬಂದು 'ಕಾಸರ್ಕನ ಮರದ ಬುಡದಲ್ಲಿ ನಿಂತೆ' ಎನ್ನುತ್ತಾರೆ. ಕಾಸರ್ಕನ ಕಾಯಿಯನ್ನು ಯಾರಾದರೂ ಒಮ್ಮೆ ತಿಂದರೆ ಅದರ ಕಹಿಯನ್ನು ಅವರ ಜೀವಮಾನದಲ್ಲಿ ಮರೆಯಲಾಗದು!  

ಮದುವೆಯ ವಿಷಯದಲ್ಲಿ ವಡ್ಡರ್ಸೆಯವರು  "ನೀನು ಕೋಳಿ ತಿನ್ನುವವನು, ಅವಳು ಅಲ್ಲ. ಇದು ಮದುವೆಯಾದ ಮೇಲೆ ದೊಡ್ಡ ಸಮಸ್ಯೆಯಾಗುತ್ತದೆ . ಹಾಗಾಗಿ ಎಲ್ಲವನ್ನೂ ಮರೆತು, ಹೊಸಬದುಕು ಶುರು ಮಾಡು. ಕಾಲ ಎಲ್ಲವನ್ನೂ ಮರೆಸಿಬಿಡುತ್ತದೆ" ಎಂದು ಕೊಟ್ಟ ಸಲಹೆಯಲ್ಲಿ ಮಧ್ಯಭಾಗವನ್ನು (ವಾಕ್ಯ ಮತ್ತು ೩ರ ಮೊದಲಾರ್ಧ) ಬಿಟ್ಟು ಉಳಿದದ್ದನ್ನು ಆಶೀರ್ವಚನವೆಂದು ಪರಿಗಣಿಸಿದ್ದಾಗಿ  ಕಾಣುತ್ತದೆ ಬಿಳಿಮಲೆಯವರು! ಕೇಳಿದ್ದರಲ್ಲಿ  ನಮಗೆ ಸೂಕ್ತವಾದದ್ದನ್ನು  ಮಾತ್ರ ಆರಿಸಿಕೊಳ್ಳುವ ಜಾಣ್ಮೆ  ಬೆಳೆಸಿಕೊಂಡಲ್ಲಿ ಮಾತ್ರ ನಾವು ನಮ್ಮ ಬಾಳನ್ನು ರೂಪಿಸಿಕೊಳ್ಳಬಹುದು. ಹೆರರು ಕಟ್ಟಿಕೊಟ್ಟ ಬುತ್ತಿಯನ್ನು  ನೆಚ್ಚಿ ಬಾಳಲಾಗುವುದೇ?

ಪುಸ್ತಕದ  ಸುಮಾರು ಕಾಲುಭಾಗವನ್ನು ತನ್ನ ಪ್ರವಾಸ ಕಥನಕ್ಕೆ ಮೀಸಲಾಗಿಸಿದ್ದು ಕಾಣುತ್ತದೆ. ವಿವರಗಳು ವಿದ್ಯಾರ್ಥಿಗಳಿಗೆ ಪ್ರಯೋಜನಕಾರಿ ಅನ್ನಿಸಿದರೂ ಸ್ವಲ್ಪ ಉದ್ದವಾಯಿತೆನಿಸುತ್ತದೆ.   (ಮೊದಲ ಜಪಾನ್ ಪ್ರವಾಸದ ವಿವರಗಳಲ್ಲಿ  ಕೆಲವು ಮರುಕಳಿಸಿದ್ದು ಕಾಣುತ್ತದೆ.)

ಬಣ್ಣಿಸಿದ ಹಲವಾರು ವಿಷಯಗಳಿಗೆ ಪೂರಕ ಛಾಯಾಚಿತ್ರಗಳನ್ನು ಒದಗಿಸಿದರೆ ಓದುಗರಿಗೆ ಅನುಕೂಲವಾಗಬಹುದು ಅನ್ನಿಸುತ್ತದೆ. ಪುಸ್ತಕದ ಪುಟಗಳ ಮಿತಿಯನ್ನು ಮೀರಲು ಅಂತರ್ಜಾಲದ ಪುಟಗಳನ್ನು ಬಳಸಬಹುದು. (ಉದಾಹರಣೆಗೆ ತ್ಸುರು ಅಭಿಮನ್ಯುವಿನ ಕಿರೀಟವನ್ನು ತಲೆಮೇಲಿರಿಸಿಕೊಂಡ ಫೊಟೊ, ಹಂಪಿಯ ಕಲ್ಲು ಮಂಟಪದ ಕ್ಯಾಬಿನ್ ಫೊಟೊ, ಮೊರಿಜಿರಿ, ವರಬಿಯವರ ಫೊಟೊ, ಮದ್ರಾಸ್ ವಿಶ್ವವಿದ್ಯಾಲಯದ ದಿನಗಳ ಫೊಟೊಬಿಳಿಮಲೆಯವರು ಪ್ರೀತಿಸುವ ಮೇಷ್ಟ್ರುಗಳು, ಪ್ರಭಾವಿಸಿದ 'ಬೆಟ್ಟದ ಜೀವ'ಗಳ  ಫೋಟೋಗಳು, ಗೂಗಲ್ ಮ್ಯಾಪ್ ನಲ್ಲಿ ವಾಟೆಕಜೆ, ಬಿಳಿಮಲೆ, ಕೂತ್ಕುಂಜ ಶಾಲೆ, ಏನೆಕಲ್ಲು, ಎಲಿಮಲೆ, ಕರಿಮಲೆ ಇತ್ಯಾದಿ ಪ್ರದೇಶಗಳ ಸ್ಥಳಗುರುತು, ಇತ್ಯಾದಿ.) ಇವು ಪುಸ್ತಕದ ಓದುಗರ ಭಾವಲೋಕದ ವಿಸ್ತರಣೆಗೆ ಇನ್ನಷ್ಟು ಸಹಕಾರಿಯಾಗಬಲ್ಲುದು.

ಪುಸ್ತಕದಲ್ಲಿ ಬಿಳಿಮಲೆಯವರು ತಾನು ಪ್ರೀತಿಸಿ ಮದುವೆಯಾದ, ಜಾತಿಯ ಗೋಡೆಯನ್ನೊಡೆದು ಬಂದು ಜೊತೆಗೂಡಿಕೊಂಡ ತನ್ನ ಪತ್ನಿಯ ಬಗ್ಗೆಬರೆದದ್ದು ಕಡಿಮೆ ಅನ್ನಿಸುತ್ತದೆ.  'ಹೃದಯವನ್ನು ಕೊಟ್ಟವಳು ಕಿಡ್ನಿಯನ್ನೂ ಕೊಟ್ಟಳು'  ಎಂದುದನ್ನು ಓದಿದಾಗ  'ಅಷ್ಟೇ ಸಾಕೆ?' ಎಂದು ಕೇಳಬೇಕೆನ್ನಿಸುತ್ತದೆ.

'ಪತ್ನಿಯರು ಕಂಡಂತೆ ಪ್ರಸಿದ್ಧರು' ಬರೆದ ಬಿ. ಎಸ್. ವೆಂಕಟಲಕ್ಷ್ಮಿಯವರು ಈಗಿಲ್ಲವಾದರೂ ಶೋಭನಾರವರು ಕಂಡ ಬಿಳಿಮಲೆಯವರ ಚಿತ್ರಣ ಕಾಣುವ ಕುತೂಹಲವಾಗುತ್ತದೆ.

 ಮೂಢನಂಬಿಕೆ, ಕಂದಾಚಾರಗಳ ನಡುವೆ ಬೆಳೆದ ಬಿಳಿಮಲೆಯವರು ವಿಚಾರವಾದಿಯಾಗಿ ಬೆಳೆದ ಬಗೆ  ಕುತೂಹಲ ಹುಟ್ಟಿಸುತ್ತದೆ. ಪುಸ್ತಕದಲ್ಲಿ ಬಿಳಿಮಲೆಯವರು ದೇವರು, ದೇವಮಾನವರು, ಪುನರ್ಜನ್ಮ, ಮಾಟ , ಮೋಹಿನಿ, ಜಾತಿ ಇವುಗಳ ಬಗ್ಗೆ ತಮ್ಮ ವಿಚಾರಗಳನ್ನು ಖಚಿತಪಡಿಸಿದ್ದಾರೆ ಬೆಳವಣಿಗೆ ಹೇಗಾಯಿತೆಂದು ಓದುಗರು ಸ್ವಲ್ಪ ಮಟ್ಟಿಗೆ ಊಹಿಸಬಹುದಾದರೂ ಬಿಳಿಮಲೆಯವರು ತಮ್ಮ ಬೆಳವಣಿಗೆಯ ಹಂತಗಳನ್ನು  ಸ್ವಲ್ಪ ವಿವರಿಸಿದ್ದರೆ ಯುವ ಪೀಳಿಗೆಗೆ ಅನುಕೂಲವಾಗುತ್ತಿತ್ತು ಅನ್ನಿಸುತ್ತದೆ. ಸಂಸ್ಕ್ರತಿ ಅಧ್ಯಯನ ನಡೆಸಿದ ಬಿಳಿಮಲೆಯವರು ಅದರಿಂದ ಪಡೆದ ಕಾಣ್ಕೆಗಳು ಅವರ ವಿಚಾರಧಾರೆಯನ್ನು ಬದಲಿಸುತ್ತ ಹೋದವೇ ಅಥವಾ ಅದಕ್ಕೂ ಮೊದಲೇ ವಿಚಾರಗಳು ಹುರಿಗೊಂಡಿದ್ದವೇ ಎಂಬ ಕುತೂಹಲ ಹುಟ್ಟುತ್ತದೆ.  (ನನ್ನಂತವರಿಗೆ ಕಾರಂತರಂತಹವರ ಬರಹಗಳು  ಪ್ರಭಾವಬೀರಿದ್ದವು. ಕಾರಂತರು ತಮ್ಮ ವಿಚಾರಗಳ ಬೆಳವಣಿಗೆಯ ಹಂತಗಳನ್ನು ಸೊಗಸಾಗಿ ವಿವರಿಸುತ್ತಾರೆ.) 

 ಅಮೀನಮಟ್ಟುರವರು ಬಿಳಿಮಲೆಯವರ ಬಗ್ಗೆ ಸೊಗಸಾಗಿ ಪೀಠಿಕೆ ಬರೆಯುತ್ತಾ, ‘ಕ್ರೌರ್ಯವನ್ನು ಉಂಡುಬೆಳೆದ ಬಿಳಿಮಲೆಯವರು ಎಲ್ಲವನ್ನೂ ಬಿಚ್ಚಿಡಲು ಹೋಗಿಲ್ಲ’ ಎಂದು ಹೇಳುತ್ತಾ, ಇವರಾದರೂ  ಒಂದಿಷ್ಟು ಹೆಚ್ಚು ವಿವರಗಳನ್ನು ಕೊಡಬಹುದೆಂಬ ಭರವಸೆ ಹುಟ್ಟಿಸಿ, ನಿರಾಸೆಗೊಳಿಸುತ್ತಾರೆ. ಬಹುಷಃ ಇವರಿಬ್ಬರೂ  ಯುವಜನತೆಗೆ ಕಹಿಯುಣ್ಣಿಸಿದರೆ ಸಿನಿಕತೆಯ ವೈಶಂಪಾಯನಕ್ಕೆ ತಳ್ಳಿದಂತಾಗಬಹುದೆಂದು   ಹೀಗೆ ಬಿಚ್ಚಿಡದೆ ಹೋಗುತ್ತಾರೆ ಎನ್ನಿಸುತ್ತದೆ.  ಉದ್ದುದ್ದವಾದ ವಾಕ್ಯಗಳಿಂದ ಕೂಡಿದ, ಸಂಕೀರ್ಣವಾದ ಪ್ರಕಾಶಕಿಯ  ಬರಹ, ಇವರು ಹೀಗೆ ಕೂಡಾ ಬರೆಯಬಲ್ಲರೇ ಎಂದು ಅಚ್ಚರಿ ಮೂಡಿಸುತ್ತದೆ. ಸರಳಗೊಳಿಸಿದರೆ   ಚಂದವಾಗುವುದು. 

' ಕಾಗೆ ಮುಟ್ಟಿದ ನೀರುಸಹೃದಯರಿಗೆಲ್ಲ    ಮುದ ತರಬಲ್ಲ, ವಿಚಾರಕ್ಕೆ ಹಚ್ಚುವ, ಅರಿವಿನ ಎಲ್ಲೆಯನ್ನು ಹಿಗ್ಗಿಸುವ ಕೃತಿಯಾಗಿ ಹೊರಬಂದಿದೆ. ಯುವಜನರಲ್ಲಿ ಹೊಸಹುರುಪು ಹೊಮ್ಮಿಸಬಲ್ಲ, ಮಾನವೀಯ ಸೆಲೆಗಳನ್ನು ಬತ್ತದಂತೆ ಜಿನುಗಿಸಿಕೊಂಡಿರುವ ಎಚ್ಚರವನ್ನು ಪ್ರೇರೇಪಿಸಬಲ್ಲದ್ದೂ, ಕಷ್ಟಗಳನ್ನು ಸಮರ್ಥವಾಗಿ ಎದುರಿಸುವ ಧೈರ್ಯ ತುಂಬುವ ಕೃತಿಯೂ   ಆಗಿದೆ


 --$$--

Tuesday, June 02, 2020

A man called YNK

When Y. N. Krishnamurthy, the renowned Journalist & writer from Bangalore 'vanished in the air' after meeting his friend  Dr. GK Jayaram, whom he met after a long gap in America, Dr. Jayaram wrote this tribute. I have reproduced it below on behalf of him:

_______________________________________________________________________________

A man called YNK

(Y.N. Krishnamurthy)

by Dr. GK. Jayaram


Dear God:
It is rather presumptions of me to address You as 'dear', or to address You at all, since 1 am not a devoted fan of Yours. Of course, it is only presumptuous if You exist; if you don't , then this letter to a non-existent tie/She/It is a waste of time. But time I have in plenty, or so I think unless You have some plans for me that I do not know about. The reason I mention Your plans is because an old friend of mine recently visited me and spent three days going around places. I had not really met this old, precious, ornery, mentor-friend for thirty-five years. Yet, by some unknown coincidence or plan, he came, and we spent a lot of time together . Then he boarded a plane to fly back home, and halfway across Europe, he cried out in pain. By the time the stranger doctors, co-passengers of his, got to him, he was gone.

What was Your plan there? Why did this man come to America for only the third time in his life to spend the last three weeks on earth here in this strange, foreign land? Why, getting self-centered for a moment, did I get to spend so much time after not meeting him for so long? Was that an unsolicited gift from You? Do you really care what happens to us all?

And why this strange death? Maybe all deaths are strange - or it is irrelevant how you die, since you are not there anymore and for those who cared for you, the body that housed you becomes unbearable, unkeepable, to he buried or burnt soon so they can keep their memories and move on towards their deaths. But it is dramatic that a famous theater critic should enact his own final drama in this manner, dying high up in the air at 35,000 feet above the earth, not in any one country, not at his home or in his India, but up somewhere without a marker for the place of death or even the time of death, since who knows what time zone he was flying over at the moment of his departure?

He said I have never been hospitalized in my life". He said, " I have not had western medicine, only Homeopathic; no Allopathic at all for the last 25 years". I asked him how old he was, and he said seventy-three. I said "Touch wood, and let God bless you. You look so good and healthy". When I asked if I was making him walk too much across the Delaware River bridge from Lambertville to New Hope, or on the boardwalk in Atlantic City from Trump Taj Mahal to Caesar's , he said " Oh no! my friend Julie in New York took me on a two-and-half hour walk". As my mother used to say, and as my wife said now, maybe evil eyes struck him. We tempted the Gods with our, and his, boast of good health. You wouldn't know anything about this, would You?

Looking back 1 wonder why did You, or did You, arrange for me, a fourteen-year old at that time so long ago, to meet this man?

He must have been all of twenty-nine then must have met him at the end of some Inter-collegiate debate where I spoke and won, and he was a judge. I do not recall the beginning; but soon a routine was set.

I would walk from my home across the shopping street, to his home ten minutes away. He lived there with his mother and sister. He never married; the rumors of a jilted affair and a broken heart floated in the grapevine many years later. Journalism for a profession and thinking, reading, and above all talking for an avocation, the man was a fount of knowledge for a fourteen-year-old. Maybe for whatever- year- old.

He would offer a book to me each time I met him. A book a week, mostly old and somewhat beaten books from his personal library, They were all there in his small room, stacked from floor to ceiling. Invariably, I would arrive just as he was preparing to leave for work. He would pick out a book. I don't know how he chose them. At random? With deliberate thought? These were not books he had just then read, so he must have spent a few moments thinking what shall I give this kid today. It didn't matter. He gave the book, with a rapid shotgun critique and an introduction of the author and the book. He must have had a speech impediment, because all his life he spoke very fast and repeated many words for the benefit of his listeners.

He'd say, " I want you to read Jack London. Very powerful, Leftist/socialist American writer. Went as a sailor when he was very young. One day determined, when he was 17, that it was a fool's game to earn a living with your brawn instead of your brain. So, he started writing, He once went and fought with the editors of a magazine who had rejected his story. They threw him down the stairs. He enjoyed it immensely. 'Sea wolf - 'Sea wolf is one of the best descriptions of socialist thought I have ever read. Better than all the boring, serious writers. Remember to return it when you are done. I'm not in a hurry, but I have lost three copies of it".

Jack London's "Sea Wolf: and "Iron Heel", all of Shaw, Wilde, Chekov, R.K Narayan, Colin Wilson's "Religion and the Rebel", Gore Vidal's "Best Man', Arthur Koestler's "Darkness at Noon" --- he gave my mind more stuff to chew on than anyone alive.

Lord, or Lady as the case may be, A man's mind matters, You know. As You may know since my teens I have lived by my wits. Those wits, which have sustained me all my life, were the legacy of my teens - and of this man called YNK. He gave me free lessons in how to exercise the muscles of my mind. Oh, that sounds dull, as though I was pumping iron and pushing dumb bells. It was not dull at all. On the contrary, it was most alive, exciting, dreamy, full of Zeitgeist.

I remember one week I read "Out of the Night" by someone named Jan Valtin. What excited me was , as soon as I opened the book, were these lines from a poem by William Henley. I have remembered them ever since:

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods be
For my unconquerable soul.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

That week, day and night I would read "Out Of The Night", and see in my mind's eye the underground communist cells of Central Europe, and men and women who lived for ideals bigger than themselves and got killed for doing so. The next week I soared with Bonhoffers' "What is Truth", and marveled at the subtle complexities of a truly moral life. Of course, every week was Wodehouse week. Ah, Lord, thank You for creating a Pelham Grenville Wodehouse, and a YNK who introduced him to me. I learnt all the English I know because of Mr. Wodehouse. I can hardly wait to read his publications at Your place, since he was a most prolific writer who wrote a book each year of his life. I am sure that he is now writing a book each year of his death, till it is time for him to come back down here and make everyone laugh aloud all over again. Give him my most humble and best regards. I read while I was walking in the streets; read in the bathroom; read while hanging on the straps in jam-packed buses; read by the light of the lantern lamps till mother would call out "sleep, sleep; or you will spoil your eyes reading all those story books'.

I met with YNK aspiring poets and writers on the second floor of the "Circle Lunch home" drinking one-by-two cups of coffee and smoking endless cigarettes, while sniping at the latest work of a friend who was absent that day. Those were the heady times of YNK's "Socratic Circle". What manner of man was he? What did he mean to me? What did he mean to the world he lived in? Why should we remember him?

He was an unselfconscious mentor to so many hungry minds, an autodidact who gave what he got from literature to who he considered deserving without asking for anything in return, except a hunger to learn and a genuine willingness to return the books. The man read voraciously, talked incessantly, rarely listened, at least not for long, and gave away the precious gift of his mind for the pleasure of giving it. He treated me kindly, with an understated friendship and a generosity never so labeled by either of us. We met in the mornings; he gave me books, talked of them and the great authors; we walked down to the restaurant, and he paid for breakfast, since I never had any money. Then he took off to edit his newspaper, and I went wherever clutching the book, dreaming as usual, and living for the moment.

We met thirty -five years later in America. Strange and unusual as his relationship to me was in my early life, his visit to me right before his death was equally so. I wonder if I would have felt so affected, so vaguely scared , so desolate if I had not met him after so long and spent three whole days with him.

It is hard to describe how I felt meeting him. At the end of the first evening of dinner, and subsequently too, it was --- nice. A pallid, lifeless word? Maybe. But it was good, affectionate, reassuring, nostalgic, reaffirming to meet him. For sure, he was now all he was before. It was uncanny how little change there was in him. The pluses and the minuses were all as they were, like an ageless garden, thorns and bushes and bugs and flowers and fruits all.  He walked a lot and talked incessantly. There was the same wit, the snapshot offer of a critique of a person or a book or an event, the stories ... Ah, the stories always around a person. He centered on personalities. This time it was someone called Amarish Shah, a mystic/seer/psychic whom he admired a lot. He mentioned often, with reverence, a man called UG, whose biography he had authored as a set of interviews. And so many other characters. Some with admiration, some with caustic wit, all with the same ceaseless restless inquiring analysis and expression. There was no disdain of anyone this time, but to be fair YNK rarely disdained anyone. He couldn't care that much. He would move on, if he wasn't interested in someone as a person, long before disdain would set in. It was a waste of mental energy to disdain.

And then he flew up and died somewhere in the sky Up in the air closer to haven. Ah YNK. I miss you. Let God, or whatever, bless you, keep you in peace. No; more than that. Keep you talking; give you admiring intelligent listeners, and two shots of Scotch every evening.

And, selfishly, may I know you again as a friend in many more lives. Because I know that people like you, and people like me are born again and again. We love life too much; we are dissatisfied with it perpetually; we will keep coming back to it, in one life and in Many lives, trying to make sense of it or at the least, to have fun with it.

And God, if he is there with You-- and I think he should be, because he was good man who gave a lot and did no harm-- just let him talk, because he loves to. He is very witty, knows a lot including stuff peripherally about You, and, of course, thousand other things. He does repeat himself quite a bit; but it somehow never mattered.

And please arrange for two shots of Scotch, preferably a really good brand, every evening. after which he would want to eat a relishing South Indian meal to call it a day.

Are You there? Are You listening? Because this is important for me, and You must do this.


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Here is  a  Kannada poem on YNK by Dr. GK Jayaram in his voice. Title: YNK not in
But you are advised to read Jogi's article on  YNK in Facebook to understand some terms in the poem better.


Tuesday, April 17, 2018

ದಿ ಕಾಸ್ಟ್ಯೂಮ್ ಪಾರ್ಟಿ - ವಲಸಿಗರ ಕಥನ (The Costume Party - Migrants' Story)

ವಲಸೆ - ಮಿಲಿಯಾಂತರ  ವರ್ಷಗಳಿಂದ  ನಡೆಯುತ್ತಲಿದೆ.  ಇದು  ಬಹುತೇಕ ಹೊಟ್ಟೆಪಾಡಿಗಾಗಿ. ವಲಸೆಗೊಂಡವರು  ಹೊಟ್ಟೆ ತುಂಬಿಸಿಕೊಂಡರೂ ಎಷ್ಟು ನೆಮ್ಮದಿ ಯಿಂದಿರುತ್ತಾರೆ  ಎಂಬುದು  ಹಲವು ಬಾರಿ  ಪ್ರಶ್ನಾರ್ಹವಾಗಿಯೇ  ಉಳಿಯುತ್ತದೆ. ಎಲ್ಲ ಸಮಾಜಗಳೂ  ಬಹುತೇಕವಾಗಿ ವಲಸಿಗರನ್ನು ಅನುಮಾನದಿಂದಲೇ ನೋಡುತ್ತವೆ. ಹಾಗಾಗಿ ವಲಸಿಗರು 'ಪರಕೀಯತೆಯ    ತಾರತಮ್ಯತೆ'  ಎಂಬ  ಮನೋಹಿಂಸೆ ಯಿಂದ  ಬಳಲುವರು.  ಒಮ್ಮೊಮ್ಮೆ ಅವರ ಮುಂದಣ ಪೀಳಿಗೆಗೂ ಆ  ಬಿಸಿ ತಗಲುವುದುಂಟು! ಮುಂದಣ  ಪೀಳಿಗೆಗಂತೂ  ಅದನ್ನು  ಜೀರ್ಣಿಸಿಕೂಳ್ಳುವುದು  ಕಷ್ಟವೇ ಕಷ್ಟ. ಯಾಕೆಂದರೆ ಅವರು ಅಲ್ಲಿಯೂ  ಸಲ್ಲರು, ಇಲ್ಲಿಯೂ ಸಲ್ಲರು. 
ತಾರತಮ್ಯ ಜನನಕ್ಕೆ  ಕಾರಣಗಳು  ಏನಾದರೂ  ಆಗಬಹುದು - ಬಣ್ಣ, ನಿಲುವು, ಹುಟ್ಟು,ಮುಖಚಹರೆ , ಭಾಷೆ , ನಡವಳಿಕೆ , ಆಚಾರ-ವಿಚಾರ , ಇತ್ಯಾದಿ ಏನಾದರೊಂದು! ಕೆಲವು ಕಡೆ  ಇದು ವಿಪರೀತ , ಕೆಲವು ಕಡೆ ಸ್ವಲ್ಪ ಕಡಿಮೆ. ತಾರತಮ್ಯ  ಇಲ್ಲದ  ಜಾಗ ಹುಡುಕುವುದೆಂದರೆ, ಕಿಸಾಗೌತಮಿ ಸಾವಿಲ್ಲದ ಮನೆಯ  ಸಾಸಿವೆಯ ಹುಡುಕಿ ಹೊರಟಂತೆ. 

ವಿಶ್ವದ  ಅತ್ಯಂತ ಶ್ರೀಮಂತ, ಪ್ರಜಾಪ್ರಭುತ್ವವಿರುವ ದೇಶಗಳಲ್ಲೂ  ತಾರತಮ್ಯ ದ  ಝಳಕುಗಳು ಕಾಣಸಿಗುತ್ತವೆ , ಅಲ್ಲಿಯೂ  ಅಮಾಯಕ ವಲಸಿಗರು ಆ ಬಿಸಿಗೆ ನರಳುವ  ಘಟನೆಗಳು ನಡೆಯುತ್ತಿರುತ್ತವೆ. ಕೆಲವೊಮ್ಮೆ ನಾಗರೀಕರು  ವಿನಾಕಾರಣ  ಮನುಷ್ಯತ್ವವನ್ನೇ  ಮರೆತು  ಸಮೂಹಸನ್ನಿಗೆ ಒಳಗಾಗುತ್ತಾರೆ  ; ಎಲ್ಲೋ ಹುಟ್ಟುವ ಕಿಡಿ ಇನ್ನೆಲ್ಲೋ ಅನಾಹುತಗಳನ್ನು ಸೃಷ್ಟಿಸುತ್ತದೆ. ಇತಿಹಾಸದ  ಉದ್ದಕ್ಕೂ ಮನುಷ್ಯ ಜನಾಂಗ ಇಂತದ್ದಕ್ಕೆ  ಮೂಕಸಾಕ್ಷಿಯಾಗುತ್ತಲೇ  ಇದೆ. ವಿವೇಕ ಪದೇಪದೇ ಆಕರ್ಷಣೆ ಕಳೆದುಕೊಳ್ಳುತ್ತಿರುತ್ತದೆ. 
ಎಚ್ಚರದ ಮನಸ್ಸುಗಳು ಸದಾ ಜಾಗ್ರತವಾಗಿದ್ದು-  ವಿವೇಕದ ಅಗತ್ಯತೆಯ ಬಗ್ಗೆ, ಸಮಷ್ಠಿ ಪ್ರಜ್ಞೆಯ ಬಗ್ಗೆ, ಕರುಣೆಯ ಮಹತ್ವದ ಬಗ್ಗೆ, ಸಹನೆಯ ಬಗ್ಗೆ, 'ತನ್ನಂತೆ ಪರರ ಬಗೆಯುವ' ಮನೋಧರ್ಮದ  ಬಗ್ಗೆ, ಸಹಬಾಳ್ವೆಯ ಬಗ್ಗೆ,   ಇವೆಲ್ಲ ಮನುಕುಲದ ಮುನ್ನಡೆಗೆ  ಎಷ್ಟು ಅವಶ್ಯ ಹಾಗೂ 'ಪೆರತೇನನೆಸಗಿದರು ' ಅದು ಅವನತಿಯ ಹಾದಿಗೇ ದಾರಿಯಾಗಬಲ್ಲುದು - ಎಂದು ತಿಳಿಯ ಹೇಳುತ್ತಲೇ ಇರಬೇಕು. ಆಧುನಿಕ ತಂತ್ರಜ್ಞಾನದ ಈ ಯುಗದಲ್ಲಿ ಮನುಷ್ಯನ 'ನಾಶ  ಸಾಮರ್ಥ್ಯ' ಊಹೆಗೂ ನಿಲುಕದಷ್ಟು ಅಗಾಧವಾಗಿರುವಾಗ ಈ ಸಂತತಿಯ ಉಳಿವು ವಿವೇಕವನ್ನೇ ಅವಲಂಬಿಸಿದೆ. 

ಡಾ! ಜಿ.ಕೆ. ಜಯರಾಮ್ ರ  'ದಿ ಕಾಸ್ಟ್ಯೂಮ್ ಪಾರ್ಟಿ ' ಎನ್ನುವ ಇಂಗ್ಲಿಷ್  ನಾಟಕ, 'ಶ್ರದ್ದೆಯಿಂದ  ಗೈದ ಕಾಯಕದಿಂದ' ಮೇಲೆ ಬಂದ,   ಅಮೇರಿಕ ದೇಶದ  ಎರಡು ವಿಭಿನ್ನಸಂಸ್ಕೃತಿಯ (ಒಂದು ದಕ್ಷಿಣ ಭಾರತೀಯ,  ಇನ್ನೊಂದು  ಯಹೂದಿ)  ವಲಸಿಗ  ಕುಟುಂಬಗಳ  ಸುತ್ತ ಹೆಣೆದಿದೆ. ಈ ಎರಡು ಕುಟುಂಬಗಳ ನಡುವೆ    ಹೊಸ ಸಂಬಂಧ ಚಿಗುರುವ ಹೊತ್ತಿನ ಸಂದರ್ಭದ ಸಂಭ್ರಮ , ಸಲ್ಲಾಪ ಗಳ ಸುತ್ತ ಸುಳಿಯುತ್ತ ಈ ನಾಟಕ - ವಲಸಿಗರ ದ್ವಂದ್ವಗಳನ್ನೂ , ಸಂಕಷ್ಟಗಳನ್ನೂ , ಅನುಭವಿಸುವ ಪರಕೀಯತೆಯ ತೊಳಲಾಟಗಳನ್ನೂ ವಿವರಿಸುತ್ತ, ನಿಮಗೆ ವಲಸಿಗರ ಬದುಕಿನ ಒಂದು ನೈಜ ನೋಟವನ್ನು ಕೊಡುತ್ತದೆ . ಅಲ್ಲಿನ ಪಾತ್ರಗಳು - ಆ ಸಮಯದಲ್ಲೇ ಅಲ್ಲಿನ ಅಭೂತಪೂರ್ವ ಅಧ್ಯಕ್ಷೀಯ ಚುನಾವಣೆಯ ತಿರುವುಗಳ ಸನ್ನಿವೇಶಗಳಿಗೆ ಸಾಕ್ಷಿಯಾಗುತ್ತ, ಸ್ಪಂದಿಸುತ್ತ,  ಅವುಗಳ ನಡುವೆ ವಿಭಿನ್ನ ದ್ರಷ್ಟಿಕೋನಗಳ , ವಿಭಿನ್ನ ಅಭಿರುಚಿಗಳ ಬಗ್ಗೆ  ವಾಗ್ವಾದಗಳೇರ್ಪಟ್ಟು, ಬಿಸಿಯೇರಿಸಿಕೊಂಡು , ಬಳಿಕ ಅಲ್ಲಿನ ಸ್ತ್ರೀ ಪಾತ್ರಗಳ ಸಹನೆ, ವಿವೇಕದ ಕರೆಗೆ ಸ್ಪಂದಿಸಿ ತಣ್ಣಗಾಗುವ, ಹೊಂದಿಕೊಳ್ಳುವ , ಖುಷಿ ಕಂಡುಕೊಳ್ಳುವ ಪರಿ  - ಮನುಷ್ಯ ಸಹಜ  ಎನ್ನಿಸುತ್ತದೆ. ಇಂತಹ  ಒಂದು,  ತಮ್ಮ  ಪರಿಧಿಯೊಳಗೆ ತಮ್ಮ ಪಾಡಿಗೆ  ಬದುಕುವ ಈ ವಲಿಸಿಗ ಕುಟುಂಬಗಳ ಬದುಕು, ಯಾವ ಕಾರ್ಯಕಾರಣ ಸಂಬಂಧಗಳೂ  ಇಲ್ಲದೆ,  ಯಾರದೋ ಪೂರ್ವಾಗ್ರಹದ ಅಸಹನೆಯ ಕಿಡಿಗೆ ಸಿಕ್ಕಿ,  ಹೇಗೆ ಕಮರಬಲ್ಲುದು - ಎನ್ನುವುದು ದಿಗ್ಭ್ರಮೆ ತರಿಸುತ್ತದೆ. 

" ಇವನಾರವ ಇವನಾರವ ಇವನಾರವನೆಂದು ಎನಿಸದಿರಯ್ಯ. ಇವ ನಮ್ಮವ ಇವ ನಮ್ಮವ, ಇವ ನಮ್ಮವನೆಂದು ಎನಿಸಯ್ಯ. ಕೂಡಲ ಸಂಗಮದೇವಾ ನಿಮ್ಮ ಮನೆಯ ಮಗನೆಂದು ಎನಿಸಯ್ಯ."  - ಎಂಬ ಬಸವಣ್ಣನ  ಈ ವಚನದ  ವಿವೇಕದ   ಪ್ರಸ್ತುತತೆಯನ್ನು ಈ ನಾಟಕ  ಪ್ರತಿಪಾದಿಸುತ್ತದೆ. 

ಈ ನಾಟಕದ  ಪ್ರಥಮ ಪ್ರದರ್ಶನ ಆಶೀಶ್ ಸೇನ್ ರ ನಿರ್ದೇಶನದಲ್ಲಿ ಬಸವಜಯಂತಿಯಂದೇ  (ಏಪ್ರಿಲ್ ೧೮ರಂದು) ರಂಗಶಂಕರದಲ್ಲಿ  ಹಮ್ಮಿಕೊಂಡಿರುವುದು  ಅತ್ಯಂತ ಸೂಕ್ತವಾಗಿದೆ . (ಏಪ್ರಿಲ್ ೧೯ರಂದು  ಮರುಪ್ರದರ್ಶನಗೊಳ್ಳಲಿದೆ) 

ಸ್ಲಂ ಮಕ್ಕಳಿಗಾಗಿ ನಡೆಸುತ್ತಿರುವ  ಏಕಲವ್ಯ ಆಂಗ್ಲ ಮಾಧ್ಯಮ  ಶಾಲೆಗಳ ಸಹಾಯಾರ್ಥದ ಸದುದ್ದೇಶದಿಂದ  ಪ್ರದರ್ಶನಗೊಳ್ಳುತ್ತಿರುವುದು  ಶ್ಲಾಘನೀಯ. ಮನುಜಕುಲದ 'ಕದಡಿದ ಸಲಿಲಂ' ಗಳ  ತಿಳಿಗೊಳಿಸುವತ್ತ  ಇದೂ ಒಂದು  ಪುಟ್ಟ ಹೆಜ್ಜೆ; ಪಂಪನ  'ಮನುಜಕುಲಂ ತಾನೊಂದೆ ವಲಂ.' ಧ್ಯೇಯವಾಕ್ಯಕ್ಕೆ  ದನಿಗೂಡಿಸುವಂತದ್ದು;  ಪ್ರೋತ್ಸಾಹಿಸಬೇಕಾದದ್ದು. 



- ದಿಟ್ಟಿ

Below given is the English version.
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The Costume Party - Story of Migrants

Migration is happening since millions of years. It happens  mostly for the purpose of filling stomach.
Even after fulfilling that purpose, whether the migrants live in peace is often a doubtful question.
Most of the societies  will be suspicious about migrants. Hence migrants often mentally suffer with alienated, discriminated feelings. Sometimes their next generations too feel the heat. The next generations suffer more since they neither belong here, nor there!   
The reason for discrimination can be anything - it can be color, race, look, stature, language, culture, faith, etc.  Some places there are more discrimination,   some places it is little less.  If you go searching for a place where there is no discrimination - it’s like  Kisa Gauthami  went in search  for fetching Mustard seeds from a house which hasn’t  witnessed any death in their family  - for Buddha.
Even in richest countries in the world, where democracy flourishes, you can find instances of discrimination. Even there once can see incidents where   innocent migrants face the heat of discrimination & suffer. Sometimes the citizens lose their sensibility, fall prey to mob mentality & act in inhuman way.  Some spark lit somewhere will cause damage somewhere else!  Human race has witnessed these kinds of damages done repeatedly all along its history.  Wisdom loses its charm often.
Awakened minds should remain cautious and should caution others  about - the need to develop/retain wisdom, the need to evolve as universal man, the importance of tolerance, empathy towards others, co-living, developing mentality of treating ‘others like us’  - and how these are essential things for prosperity of mankind and anything contrary to this can only lead to downfall of mankind. This often needs to be preached.  In this modern age - that too, when the man’s power of ‘destruction’ has grown beyond imagination, only this wisdom can save the mankind.
Dr. GK Jayaram’s  English play ‘The Costume Party’ is woven around the story of two immigrant families of different cultures (one South Indian another Jewish).  Both families have come up by hard work. The play narrates the occasion when these two families are about to develop new relationship between them, where there was a sense of festivity, joy, dialogues. The occasion starts opening up their thoughts revealing migrants dilemma’s, difficulties they face in their neighborhood, the sense of alienation, identity issue, the question they often face- where do they really belong to - thus giving us the a real insight into migrants life. It also reveals us their prejudices, their views about other cultures, as the actors in the play starts debating among them.  The occasion also happens to witness the presidential election results being declared where there was hope of making history by choosing an woman. As the debates turn hotter & hotter disturbing the friendship & warmth among them, the famale characters bring peace by convincing others of the need to  be tolerant and be sensible and the need to show respect to others who have the right have their own views & opinions (which is often the case in most societies).  They settle to gracefully agree to disagree with other’s point of view and further their friendship & warmth among them and turn the occasion to a joyful one with dance, wine & dine. How these migrant families which live within their boundaries without causing any disturbances in the neighborhood , can be hurt by the - spark of intolerance of someone without any reason - shocks us.
The play points us to relevance of the following verses of 12th century reformer Basavanna.
“Oh Lord, please do not say 'whose is he, whose is he, whose is he?'
Please say 'he is ours, he is ours, he is ours!'
Oh Lord Kudalasangama, consider me a son of your own house!”
It’s apt that the play is debuting with the direction of Ashish Sen  at Rangashankar on  ‘Basava Jayanthi’ - the birthday of Basavanna on 18th April 2018 (19th is the replay of it)
The play is being staged  with the noble cause  of helping the English medium Ekalavya  Schools educating slum children - which is commendable.
It’s small step towards clearing the muddy water pools of mankind. It also adds its voice to the  slogan of renowned Kannada poet of tenth century - Pampa  “Whole Mankind is one race”  . isn’t it worth encouraging?






Monday, April 07, 2014

Poems from a Leaders' Mentor

I have heard about this mentor(Dr. GK Jayaram), but haven't heard his lectures till today.

Today(06,Apr 2014) I heard his poems(that too in Kannada) rather than lectures about leadership at Indian Institute of World Culture, Bangalore.

There was an event held to release Dr. GK Jayaram's book containing his poems in Kannada called "Munjaavina MaathugaLu"(Speakings of the Morning). At the age of 73 he has written his first book of poems! Guess no age is too late to start writing poems!

The book was released by his friend NR Narayana Murthy witnessed by another of his friend named "Vijay Mahajan" who has made his name as social entrepreneur .


Noted Kannada professors A R Mitra and Krishnayya (who studied together in Mysore) commented on the book highlighting the significance of the poems in the book. They urged him to continue writing and also urged NRN to write in Kannada to share their wealth of experiences in their field. They were surprised that Dr. Jayaram staying in US for more than three decades communicating most part of his life mostly in English had the urge to write poems in Kannada in his old age! They saw the influence of the famed journalist of Kannada -(late) Y.N.Krishnamurthy (who was his friend) in the way wit & rhymes mixed in his poems.


NRN did talk about his friendship with Dr. Jayaram starting from his early days in his career and acknowledged his help being his mentor for long. NRN also said that after Dr. Jayaram's stint as director of Leadership Institute, he had wished to make greater impact in India by training people involved in Politics and plunged into it!


Came to know that Dr. Jayaram's mother tongue for namesake is  - Mysore Iyengar Tamil, but born/brought up in a village near Bhadravati close to Shimoga (so practically Kannada is his mother tongue, he says). The literature readings during his early student life (being only in Kannada) has resulted in his love for writing poems in Kannada he says. Being a global citizen, having seen & mentored varieties of people, the richness in his experience has resulted  in arriving at new insights from his old memories in his poems.











Giving below a poem of his (from the book, which I have attempted to translate into English, apologising with author for my poor quality and not seeked his prior permission since it's promotional in nature).

_______________________________

I was born the day you were

"Mother,Why do you celebrate the day I was born?
 What's so special of my birth?"

Mother held my hand and showed the lamp
"My dear, look at the lamp
since long it's waiting to be lit
can you light it?"

Baby lit the lamp, the light spreads
"You were born that day, that moment
You lit my lamp,
my life glowed the day you were born"

"Mother, when  were you born?"

"The day you were born"

"Mother, am I your lamp? am I your light?"

"You are my lamp, your are my light
from that day to now, and from now - for ever"

"O  my dear mother
How long  is that 'ever'?
Even after that  'ever', you will be my mother"

Friday, April 10, 2009

An exploration trip towards Ajanta, Ellora, etc.

Thanks to the changed leave policy at my office, I was forced to take off from office before March end, else my earned leaves will lapse!(something similar to the savings invested in the stock market shrank last year!). It also reminded me to visit some of my relatives staying in Maharashtra, especially the one, staying in Aurangabad since past two decades (I had given send off to my cousin sister to there just before I was going to join DRDO).
I chose March last week for my trip and landed in Pune by flight (to be a guest of my relatives there). I could spend some time with one of my ex-IRDE colleague and his family too, ruminating my Doon days. I caught a bus to Aurangabad on a Monday noon called ASIAD bus (I Believe they were introduced during ASIAD 1982). The highway to Aurangabad from Pune is quite good (though construction work is going on at some places), takes 5Hrs to travel 220KMs.
Tuesday (24th March) morning I started to Ajanta from Aurangabad by a bus, which is 100KM away & reached there around noon time. It was quite hot & dusty. The bus dropped at a place called 'Ajanta T Junction' from where the Caves are around 4KM away. There are Maharashtra tourism department green buses(with low emissions) which will ferry the tourists near the caves to avoid pollution near the caves which may harm the paintings in the caves, I believe. After getting off from those green buses I could see some aged folks gasping for breath while climbing few steps towards a hill. But the steps weren't many, though little tiresome. Just after half a KM trek, you will be welcomed by the vast panoramic view of horse shoe shaped valley surrounded by rocky hill range containing series of caves.

I started exploring the caves one by one. Archeological department has put boards in front of most caves giving details about them. They have completed restoration work on majority of caves. Work is still going on on some caves. Most of the caves contain tiny focusing lights fitted (I did carry my torch though). Photography without flash is allowed.



My camera was not good enough to capture the wall paintings clearly in that low light! Most of the paintings have deteriorated or damaged. Due to restoration work, one sees cement patches where the paintings have worn off/fallen off. But ..., by hearing the fact that those paintings are more than thousand years old, one gets thrilled! It's acclaimed that some of those paintings are treated as the best ones available from such a long history.
Last year when I was in Rome, was wondering how could things (like Colosseum) from two thousand years can still stand so strong withstanding centuries of onslaught of weather extremities. I was also reasoning that - it may not be raining so harsh there (unlike my coastal region!) Here I was witnessing the creations of an era, even earlier than the ones in Rome. It is also believed that some of the paintings in the caves have survived, because the caves were buried and hidden for long (until rediscovered, excavated in  last century by Britishers). One thing heartening to notice here is that most of the sculptures are not damaged (unlike, in many other temples in Ellora, Humpi etc.)

Could only spend around 2Hrs visiting around 26 caves (total 28 caves)since I was hungry too. (My stomach hunger overpowers curiosity hunger!)
Caught a shared taxi (Indica) while returning, since the guy was promising that he will get me Aurangabad faster than bus and  for bus fare. An Italian lady tourist too sat in front seat. The guy was overloading on the way back (forcing the lady to share the front seat with another passenger too,ignoring her protest!) The only soothing thing happened on that journey leg by the taxi was, it drizzled, cooling hot dusty weather.

Next day morning, I started to Ellora. It's around 35KM from Aurangabad. Daulatabad is en route. I caught a diesel jeep (called 'kaali-peeli' - due to black and yellow paints on them). The taxi guy was making me shunt between back and front seats depending on the changing passenger load on the way! It was again quite hot and dusty. It was reminding my days in Rajasthan deserts (where I had spent three summers during my DRDO days!).
Just when we were passing down a small ghat region, I could see some series of caves on the right side of the road. Later I realized that they were the Ellora caves.

The moment I went near the first cave near the entrance, it took some time for me to realize the enormity of the Great Kailash temple built from a monolithic rock. I also realised that unlike other cave temples, here, the top is opened up; thus making it quite sunny inside and it's quite huge! I tried switching on my camera to capture the enormity, but it didn't switch on! (It said 'enough of all your rough handling for past 5 years!') Well, I had to rely on my volatile memory of my head from now on, I realized! The idols in Kailash temple are quite huge. Unfortunately, many have damaged limbs. It is believed to be built by Raashtrakoota King Krishna. One of his successors is credited with - one of the earliest Kannada poetics work, called 'Kaviraajamaarga' in which it claims - even illiterate 'Kannadigas' are expert poets!("kuritoedadeyum kaavya prayoega parinata matigal")
Two - three more caves along Kailasanaatha temple on right side were depicting Hindu gods. After that rest all are Buddhist cave temples, similar to Ajanta caves. But, there are hardly any paintings in them (or paintings have gone off, may be). These caves were exposed to people since long, perhaps (I mean Indians:). There are no lighting provided inside caves (one need to depend on their own torch). I visited around 16 caves.(I wasn't knowing about remaining caves including the ones related to Jainism, which were on left side of Kailash temple). The lunch at Tourism Department canteen wasn't that bad. I could also buy a CD on Ajanta, Ellora there(to supplement my volatile memory).
I caught another 'kaali peeli' to Daulatabad to judge the wisdom of Tugalak!!
[Again the jeep was jam packed. The guy next to me was asking me in Marathi to remove my hand which was on his shoulder. My Hindi knowledge didn't help in understanding what he was saying. In the end, my Japan experience helped to practice sign language.]
It's hailed as the most invincible fort of the country since it's structure was engineered with complex sophisticated warfare techniques.
The Daulatabad fort has several layers. The central part is on top of a hill. There are deep ditches between layers (containing water too). There are dark spiraling tunnels to reach the central hill top called 'bhul bhullaiya' (Maze). There are many traps and different openings they say. I could land up only on an intermediate top. Gave up the effort of climbing the hill top (like the many kings who returned unconquering the fort!) since I was a bit tired too in the hot sun.

Returned to Aurangabad in the evening and went to see "poor man's Taj Mahal"- 'Bibi Ka Maqbara'. It makes you believe that you are seeing Taj Mahal (If you haven't seen Taj Mahal!) But it doesn't have that majestic charm of Taj Mahal. White marble is used only at some places, I think. Aurangajeb's son (built it on the memory of his mother) didn't have enough budget like Shah Jahan had, I presume (or perhaps built during recession time ;). (You can get more details here)
Returned back to Pune next day, ruminating on those rich memories on the way back ...

Some more pictures from my belligerent camera are here.

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